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- Просмотров 21 290 791
JazzTuna
Добавлен 6 сен 2011
ALBUMSの選択: 1955年から1965年へ
♥HARDBOP!
(c) info: all rights go to original recording artists/owners/labels
♥HARDBOP!
(c) info: all rights go to original recording artists/owners/labels
Wayne Shorter - Deluge
Album: Juju
Year: 1964
Label: Blue Note
Wayne Shorter - tenor saxophone
McCoy Tyner - piano
Reggie Workman - bass
Elvin Jones - drums
Year: 1964
Label: Blue Note
Wayne Shorter - tenor saxophone
McCoy Tyner - piano
Reggie Workman - bass
Elvin Jones - drums
Просмотров: 8 109
Видео
Bill Evans Trio - Witchcraft
Просмотров 57 тыс.8 лет назад
Album: Portrait In Jazz Year: 1959 Label: Riverside Bill Evans - piano Scott LaFaro - bass Paul Motian - drums
Herbie Hancock - Empty Pockets
Просмотров 4,9 тыс.8 лет назад
Album: Takin' Off Year: 1962 Label: Blue Note Herbie Hancock - piano Freddie Hubbard - trumpet Dexter Gordon - tenor saxophone Butch Warren - bass Billy Higgins - drums
Bill Evans Trio - Alice In Wonderland (Take 2)
Просмотров 134 тыс.8 лет назад
Album: Sunday At The Village Vanguard Year: 1961 Label: Riverside Bill Evans - piano Scott LaFaro - bass Paul Motian - drums
Horace Silver and the Jazz Messengers - Room 608
Просмотров 17 тыс.11 лет назад
Album: Horace Silver and the Jazz Messengers Year: 1955 Label: Blue Note Horace Silver - piano Kenny Dorham - trumpet Hank Mobley - tenor saxophone Doug Watkins - bass Art Blakey - drums
Wayne Shorter - Juju
Просмотров 191 тыс.11 лет назад
Album: Juju Year: 1964 Label: Blue Note Wayne Shorter - tenor saxophone McCoy Tyner - piano Reggie Workman - bass Elvin Jones - drums
Freddie Hubbard - Open Sesame
Просмотров 108 тыс.11 лет назад
Album: Open Sesame Year: 1960 Label: Blue Note Freddie Hubbard - trumpet Tina Brooks - tenor saxophone McCoy Tyner - piano Sam Jones - bass Clifford Jarvis - drums
Wes Montgomery - Airegin
Просмотров 7 тыс.11 лет назад
Album: The Incredible Jazz Guitar of Wes Montgomery Year: 1960 Label: Riverside Wes Montgomery - electric guitar Tommy Flanagan - piano Percy Heath - bass Albert Heath - drums
John Coltrane - Cousin Mary
Просмотров 150 тыс.11 лет назад
Album: Giant Steps Year: 1959 Label: Atlantic John Coltrane - tenor saxophone Tommy Flanagan - piano Paul Chambers - bass Art Taylor - drums
Kenny Burrell - Soul Lament
Просмотров 36 тыс.11 лет назад
Album: Midnight Blue Year: 1963 Label: Blue Note Kenny Burrell - guitar Stanley Turrentine - tenor sax Major Holley - bass Billy Gene English - drums Ray Barretto - conga
Freddie Hubbard - Marie Antoinette
Просмотров 15 тыс.11 лет назад
Album: Ready For Freddie Year: 1961 Label: Blue Note Freddie Hubbard - trumpet Bernard McKinney - euphonium Wayne Shorter - tenor saxophone McCoy Tyner - piano Art Davis - bass Elvin Jones - drums
Wes Montgomery - Cariba
Просмотров 16 тыс.11 лет назад
Album: Full House Year: 1962 Label: Riverside Wes Montgomery - guitar Johnny Griffin - tenor sax Wynton Kelly - piano Paul Chambers - bass Jimmy Cobb - drums
Joe Henderson - Homestretch
Просмотров 22 тыс.11 лет назад
Kenny Dorham - trumpet Joe Henderson - tenor saxophone McCoy Tyner - piano Butch Warren - bass Pete La Roca - drums
Dexter Gordon - Second Balcony Jump
Просмотров 121 тыс.12 лет назад
Album: Go Year: 1962 Label: Blue Note Dexter Gordon - tenor sax Sonny Clark - piano Butch Warren - bass Billy Higgins - drums
Eric Dolphy - Something Sweet, Something Tender
Просмотров 2,2 тыс.12 лет назад
Eric Dolphy - Something Sweet, Something Tender
Sonny Rollins - You Don't Know What Love Is
Просмотров 59 тыс.12 лет назад
Sonny Rollins - You Don't Know What Love Is
Cannonball Adderley - One For Daddy-O
Просмотров 38 тыс.12 лет назад
Cannonball Adderley - One For Daddy-O
Art Blakey & The Jazz Messengers - Along Came Betty
Просмотров 12 тыс.12 лет назад
Art Blakey & The Jazz Messengers - Along Came Betty
Gg
9:20
なんとおしゃれなオータムリーブス。何度聴いても新しい発見がある‥音の魔術師❤❤❤
I love this session everybody eats they have there own to put in on this and Jimmy holding point in the back ground keep the flow baby real music 😄
Seeing the threads of reply’s and also my dad was an amazing man and love his Jazz you can’t replace this art it’s one of a kind and it’s own class good bless ❤our ancestors who paved the way ❤❤
I love it 💕 when Lee Morgan takes two solos
What a jam!
My favorite part is Tommy Flanagan hanging on for dear life
Lebendig Aufgespielter 💭 Sixties ☝️Jazz , with definitiv spürbarer 😊 ~ ☺️ American 🍩🌭🍟🍔🥤🍿 Sixties Sound Atmosphäre and Feelings 🎷🎷❕🎺🎺❕🥁🥁❕
Best Jazz 👉 🎹🎹🎹🎹 +🎷+🎺+ 🥁🥁 !!! Composition of the Sixties 🤓 Grandioser Evergreen of the American Jazz History 💭 ever and ever and ever ❕❕❕
Cottontail - 1940 You say - 1949 Eh?
ORNETTE!
I've been playing this gentle giant since I was nineteenth and now I'm 82 and he is still my best Jazz Giant.
Cannonball and Miles cover this tune very well.
1:07
1:20
1:23
1:54
2:35
2:51
0:55
1:01
1:03
1:05
This is music. Play it Dexter.
Given longevity, Newk is the greatest instrumentalist of ALL TIME!!!
He perdido muchos años en los que hubiera querido conocer estas canciones
3:06
"You bear the mark, you are cursed. You must place your hand upon the stone"
The chillest.
You can hear the saliva traveling through the saxophone.... First Mingus i ever heard, needelss to say, i´m hooked since then.
Delicious stuff. Thanks.🎶🤗
Billy Strayhorn, too.
Jomo Kenyatta!!!!
0:18 and 0:40
0:30
0:28
Mingus torturing the bass
Lee Morgan was in my Math Class at Gillespie Junior High in Philly. I remember he took his horn case EVERYWHERE. I bought this album when he made it, and enjoyed it for years. Lee was GREAT !!
Füll House is the burner
Bebop qoute around 1:05
1:50 1:59
I'm 69 and grew up listening to this type jazz. My son is 41 and loves Miles Ahmed Jamal, etc. Let's keep it going by training our kid's ears 😅
I think the saying " God giveth and taketh away applies to Hank Mobley for sure. A true icon of the jazz tenor sax. He has been one of my influences as a player myself. The question I pose is.....why take the big 'H' ? Nobody forces it upon anyone....and we all know its usually only one way out....its a great shame that he went this way as he had a brilliant future ahead of him .....
Lee came back to New York after 2 years in Philly because of the monkey on his back , that Art Blakely had introduced Bobby Timmons , Lee Morgan and other artists to the heron. Lee was about 20 or so at the of the addictive taking over , that he had no other choice but to get help and he did. When he came back to Blue Note he was very skilled with he Composition and playing that this album have been released soon after Sidewinder. And this track is his best Composition to me, all solos by the Young Lions of Jazz on this track are brilliant, outstanding and genius. Lee Morgan the Best Jazz Hard Bop trumpeter of all time hands down.
💜
0:37
0:40
0:43
0:46
0:49
0:51
Mingus was a true original. Everything he did was from his heart and was remarkably fresh while still respecting the tradition of jazz. His compositions were remarkable in that they are both highly-structured and very free at the same time. He was a big fan of collective improvisation, which dates back to the early jazz from New Orleans. "Better Git It In Your Soul," is an homage to the church music he grew up with. It sounds at times like an ecstatic Black church service. There are elements of highly technical playing where the band has to play together as a tight-unit as well as parts that sound very chaotic with all the instruments soloing simultaneously. I think this perfectly mirrored Mingus's personality, which was at times calm and serene and at times ferocious and mean. That's one thing I love about Mingus's music… it always sounds fun!
0:27 0:44
0:52
0:56
1:19 always makes laugh because “The Sermon” was play on an episode of “The Cosby Show” when Cliff, Theo, Elvin and Martin was pregnant and his father was trying hard not to laugh at their dance moves.
Anything on this label is of the highest quality. And such great musicians take your soul somewhere else. Impecable.
2:00
OMFG these drums!!!!
practice time stamp 2:12
great tune, true hero
Jupiter
Omg. Fantastic.
I would like to add the other members of this band were awesome also!
Lee Morgan was one of the best for this genre of jazz!
This is my first encounter with the piece “Milestones,” and it’s left me with a sense of the Overview Effect… It’s as if I’m listening to something celestial, forbidden to mere mortals. There’s a divine quality to these improvisations that’s almost too intense to bear, the effect it has on me is beyond words.